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Noise: The Political Economy of Music (Theory and History of Literature, Vol. 16) | |||||
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Rok: 1985 AnotaceThe relationships of music to the politics and economics of the societies in which it is composed and performed are rarely given serious study, but a moment's reflection will convince us, I think, that this is an important subject for anyone interested in music to look into. An activity which gives so much enjoyment and arouses so much passion in so many people must have important consequences in the rest of society, and the other areas of society must in turn impinge on it in many crucial ways. Jacques Attali, a French economist who was a Special Counsellor to President François Mitterand, proposes a number of theories on the political economy of music in this book, some quite bold and difficult to accept at first encounter, others more readily convincing. His principal thesis in the former category is that changes in the basic character of music throughout history have foreshadowed subsequent fundamental revolutions in political and economic structures, from which he concludes inductively that changes taking place in music today predict the future shape of our society. Whether or not one agrees with this claim, and many readers of his book have apparently had a hard time with it, the connections he makes between the various kinds of musical activity in history and the social matrices surrounding them are fascinating and almost always quite illuminating. Zdroj anotace: OKCZ - ANOTACE Z WEBU Dostupné zdroje
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