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Mob Culture: Hidden Histories of the American Gangster Film | |||||
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Rok: 2005
Hodnocení: Anotace"This book does a fine job at what it sets out to do—redefine the American gangster genre. It convincingly exposes and documents the exhausted nature of criticism on the genre, explores important overlooked material, and introduces new approaches."—William Luhr, Saint Peter’s College"Beyond The Godfather and Little Caesar this highly original anthology uncovers new aspects of the gangster genre, from its dress codes to its relation to government investigation, from gangsters on nickelodeon screens to HBO series, from tong wars in Chinatown to the African American gangster in race films."—Tom Gunning, University of ChicagoSinister, swaggering, yet often sympathetic, the figure of the gangster has stolen and murdered its way into the hearts of American cinema audiences. Despite the enduring popularity of the gangster film, however, traditional criticism has focused almost entirely on a few canonical movies such as Little Caesar, Public Enemy, and The Godfather trilogy, resulting in a limited and distorted understanding of this diverse and changing genre. Mob Culture offers a long-awaited, fresh look at the American gangster film, exposing its hidden histories from the Black Hand gangs of the early twentieth century to The Sopranos. Departing from traditional approaches that have typically focused on the "nature" of the gangster, the editors have collected essays that engage the larger question of how the meaning of criminality has changed over time. Grouped into three thematic sections, the essays examine gangster films through the lens of social, gender, and racial/ethnic issues.Destined to become a classroom favorite, Mob Culture is an indispensable reference for future work in the genre. Dostupné zdroje
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