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China - Dawn Of a Golden Age, 200-750 AD | ||||||||
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Rok: 2005 AnotaceThe first comprehensive survey of the spectacular art produced in China during a pivotal era in its historyFrom the fall of the Han dynasty at the turn of the third century to the eventual reunification of the country under the Sui at the turn of the seventh century, China experienced a tumultuous and fascinating political and cultural history. The political fragmentation that occurred between the dynasties and the massive migration of nomadic peoples into China resulted in contact with people from every part of Asia and the introduction of foreign ideas, religion, art forms, and motifs. Out of this grew the magnificent art of Tang China in the early eighth century. This book is the first comprehensive survey of Chinese art during this complex era. Lavishly illustrated and produced, the volume presents more than three hundred recent archaeological finds: including gold artifacts made by the nomadic peoples from Mongolia, luxury articles of glass and precious metals from Western and Central Asia, early Chinese Buddhist sculptures, and spectacular works in every medium from the Tang period. Essays by distinguished scholars provide a historical background, discuss the various media, and trace the changes in art styles over a period that saw a radical modification of Chinese civilization. In the great tradition of publications on Chinese art from the Metropolitan Museum, China: Dawn of a Golden Age will become an essential text for years to come. • This book is the catalogue for a major exhibition at The Metropolitan Museum of Art (October 5, 2004 to January 23, 2005).James C.Y. Watt is Brooke Russell Astor Chairman, Department of Asian Art, The Metropolitan Museum of Art.Masterpieces of Chinese Art from the Early Middle Ages (200–750 AD)James C. Y. WattPublished to coincide with and complement the major exhibition catalogue China: Dawn of a Golden Age (200–750 AD), this book is an accessible introduction to the art of this period. Included is James C. Y. Watt’s informative introductory essay, along with descriptive texts and color illustrations for a selection of the art in the exhibition: eighty objects chosen for their beauty and importance. Dostupné zdroje
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