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Rok: 2001
ISBN: 9781859734926
OKCZID: 110323002
Photographs have had an integral and complex role in many anthropological contexts, from fieldwork to museum exhibitions. This book explores how approaching anthropological photographs as "history" can offer both theoretical and empirical insights into these roles. Photographs are thought to make problematic history because of their ambiguity and "rawness." Taking the nature of photography as her starting point, the author argues that photographs are not merely pictures of things but are part of a dynamic and fluid historical dialogue, which is active not only in the creation of the photograph but in its subsequent social biography in archive and museum spaces, past and present. Drawing on a variety of examples, largely from the Pacific, the author demonstrates how close readings of photographs reveal not only western agendas, but also many layers of differing historical and cross-cultural experiences. That is, photographs can "spring leaks" to show an alternative viewpoint. These themes are developed further by examining the dynamics of photographs and issues around them as used by contemporary artists and curators and presented to an increasingly varied public.