Njurenberg, Amšej Markovič

Autor: Njurenberg, Amšej Markovič
Rok: 1887-1979
Oblast působnosti: malíři, grafici, umělečtí kritici, výtvarní pedagogové

Biogr./Hist. údaje: Ruský a ukrajinský malíř židovského původu, grafik, umělecký kritik, výtvarný pedagog, autor pamětí.
Zdroj: Autoritní databáze Národní knihovny ČR

Amshey Markovich Nurenberg (Russian: Амшей Маркович Нюренберг; April 17, 1887, Elisavetgrad - 10 January 1979, Moscow) was a Ukrainian, Russian and Soviet painter, graphic artist, art critic, and memoirist.In 1904 - 1910 he has studied in the Odessa School of Arts with Professor Cyriaque Costandi. After having graduated from the School he continued his education in Paris. He lived in the Latin Quarter with other artists from Russia and during a year shared an atelier with M.Chagall in the phalanstery La Ruche.In 1913 he returned to Odessa, where headed the group of modernists "The Independent", founded the private school "Free Studio" (1918), and participated in exhibitions of Odessa artists. After the Russian Revolution (1917) he was appointed to the People's Commissar of Arts of Odessa and to the head of the Committee for Protecting the Artistic and Historic Heritage.Since 1920 he lived in Moscow, where was the first art columnist of the newspaper Pravda, worked in the ROSTA Windows together with Vladimir Mayakovsky, and was professor of history of the Western art at the VKhUTEMAS. In 1927-29 he was missioned to Paris by the People's Commissar for Education A. Lunacharsky to read lectures on new Soviet arts. In 1932 he has contributed to the organization of the Moscow Regional Union of Soviet Artists (МОССХ) which later has been extended to the USSR Union of Artists.During the World War II Nurenberg was in the evacuation in Tashkent (Uzbekistan). He continued to work as a painter and finished a series of anti-war paintings. After the war he has continued to work as an artist in Moscow, in particular for the Museum of Revolution.During his life, Nurenberg has worked in different styles — from avant-garde to realism, having always remained faithful to traditions of the School of Paris.